Evoking the city's relentless energy and dynamic spirit of São Paulo, director Marcelo Caetano's unflinching drama centres on those who live on the fringes of an constantly evolving metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the wide-eyed young man discovers refuge in the arms of others.
On an evening out with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler significantly older than his age. Shrouded in the flickering glow of a XXX cinema, their initial encounter is physical and passionate, with an tinge of peril. Ronaldo promptly ushers Wellington to the underground scene of the sex trade and selling drugs.
The film illustrates Wellington’s new life of crime with gentle sympathy instead of as a melodramatic morality play. Now going by the name of Baby, he engages in his paid liaisons with cocky bravado and endearing innocence. To his customers, Wellington lends not only his youth and his body, but also fleeting acts of kindness.
In the hectic energy of São Paulo, teeming with busy lanes and vibrant storefronts, there’s a deep-seated solitude, as unmoored souls hold fast to one another for temporary happiness.
"The streets might be riddled with risk, yet they are where they can find their own family, too."
Ronaldo is both a lover and a guardian-like mentor to Wellington, but their bond is sabotaged by envy and economic precarity. Dangers posed by nefarious characters in the shadow economy seem minor next to the fear of state surveillance and imprisonment, epitomized by the constant sight of police officers in the area.
Baby is particularly impactful as a perceptive study of the lost people who have slipped through the gaps the established structure. The film stands as a heartfelt examination into resilience, chosen family, and the quest for self within a demanding urban landscape.
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